Composer's got 'it' and we've got 'Years'
By Anne Marie Welsh
November 22, 2004
linger long after the lights come down on "The Last Five Years," the
disarming little musical that opened Saturday at North Coast Repertory.
The word "musical" may conjure too strong an image for this deft
90-minute show, a song cycle, really, by the estimable 34-year old
composer Jason Robert Brown. Along with Adam Guettel, Ricky Ian Gordon,
Jeanine Tesori and sometimes, David Yazbek, Brown is usually described
as a hope for the future of the American musical.
He is definitely that; in an off year (1998) on Broadway, he won a new
score Tony award for the dark, short-lived musical, "Parade." His range
as a lyricist is as impressive as his mastery of the gospel, blues,
pop, ethnic and quirky comedy rhythms that mix so smoothly in "The Last
Five Years," first staged in Chicago in 2001. Comparisons may be
odious, but Guettel has a richer voice, more steeped in classical
tradition; still, the delicate emotional world of Brown's song cycle
"The Last Five Years" ruminates upon a love affair that germinates,
blossoms and dies during the time span of the title. In 14 songs
performed alternately by the young man (Jeremiah Lorenz) and young
woman (Erin Cronican), we see the relationship move from meeting to
marriage to parting (in his mind) and backward from the breakup to the
first date (in hers).
What could be mere cleverness in the reversed time schemes actually
serves to underscore the deep incompatibility of the couple – he, a
gifted Jewish novelist who rockets quickly from grad school to literary
celebrity, Columbia University to Random House, while she, an ambitious
so-so actress from Ohio, remains stuck still doing summer tours in the
Brown borrowed liberally from his own life for the story, an
unsurprising fact that slightly sours the proceedings and makes the
man's role an even bigger challenge. Neither character is particularly
likable. So how do you play a suddenly famous young artist whose
greater talent and deserved success make life impossible for his
Lorenz knows how. Shrewdly guided by director Peter Ellenstein and
music director G. Scott Lacy, this young San Diego actor stretches into
fresh new territory; he shows a depth, range and sweetness, not to
mention a vocal suppleness that alone make the show worth seeing.
Lorenz has been striking before as the no-holds-barred transsexual star
of the glam-rock "Hedwig and the Angry Inch," and before that, as the
corrupted Emcee of "Cabaret," both directed by Sean Murray. He showed
glimpses of a more "normal" range of emotion in a fine, moving kids'
show "Guitar" toured by La Jolla Playhouse. "The Last Five Years" is
his breakthrough; he shapes the story of each gemlike song with
subtlety and nuance, making the wonderful comedy of "The Schmuel Song"
and "Shiksa Goddess" as effective as the rueful betrayal in the ballad,
"Nobody Needs to Know."
(Note to local directors: Cast Lorenz in a Sondheim show soon.)
As the idealized wife, Cathy, Erin Cronican fares less well. She's
persuasive dramatically. Her Cathy is a pretty blonde too passive for
her own good, unable to rise to the challenge of New York and the kind
of artists the city breeds. Cronican's voice seemed strained on opening
night, only occasionally soaring with confidence.
Her best moments came in the every-actors-nightmare number, "Climbing
Uphill." Part humiliating audition, part internal monologue, it's a
dazzling short story encapsulating life in the theater.
Like songsmith Yazbek in the raucous "Dirty Rotten Scoundrels," Brown
references musical theater lore – the "Fiddler on the Roof" beat of
"The Schmuel Song," the comical lament of a pair of Ohio refugees from
"Wonderful Town" in "Summer in Ohio." Brown's the real thing, though he
has yet to find dramatic material that will bring his original voice to
a hit-seeking popular audience. In he meantime, this sturdy production
of "The Last Five Years" plays through the new year.
and lyrics: Jason
Robert Brown. Director: Peter Ellenstein. Musical
director: G. Scott Lacy. Set: Marty Burnett. Lighting:
Karin Filijin. Costumes: Jennifer Hanson. Sound: Robert
May. Cast: Erin Cronican, Jeremiah Lorenz.
Marie Welsh: (619) 293-1265; firstname.lastname@example.org
"The Last Five Years"
Thursday-Saturday, 2 and 7 p.m. Sunday, through Jan. 2
Repertory Theatre, Lomas Santa Fe Plaza, Solana Beach $27-32
or (888) 776-6278
The Last Five Years